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Architect Robin Donaldson Just Listed His Santa Barbara Home for $5M

The concrete home soaks up the sun with solar panels, floor-to-ceiling windows, and a rooftop terrace with views of the Pacific Ocean and the Santa Ynez mountains.

Designed by architect Robin Donaldson as his personal home, this 3,160-square-foot loft is located in downtown Santa Barabara.

Location: 414B Anacapa Street, Santa Barbara, California 

Price: $5,000,000

Year Built: 2017

Architect: Robin Donaldson

Footprint: 3,160 square feet (4 bedrooms, 5 baths)

Lot Size: 3,484 square feet

From the Agent: “Designed by award-winning architect Robin Donaldson as his personal residence, this 1-of-1 home epitomizes the Santa Barbara lifestyle on a site in the heart of downtown, right next to the beach. This home offers the utmost privacy, set back from the street behind two gates. The 3,160-square-foot residence features four beds, five baths, a separate office, and an elevator. The design’s seamless indoor/outdoor spaces are enhanced by floor-to-ceiling windows and a rooftop terrace with soaking tub. Additional highlights include a massive two-car garage and solar panels.”

Designed by architect Robin Donaldson as his personal home, this 3,160-square-foot loft is located in downtown Santa Barabara.

Designed by architect Robin Donaldson as his personal home, this 3,160-square-foot residence is located in downtown Santa Barbara. 

Photo by Blake Bronstad

Photo by Blake Bronstad

Photo by Blake Bronstad

See the full story on Dwell.com: Architect Robin Donaldson Just Listed His Santa Barbara Home for $5M

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This London Townhome Boasts Two Dedicated Music Listening Areas

A renovation made space for a record cabinet that’s wired to every room in the house; outside, a garden studio features a second setup.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: London, United Kingdom

Architect: Archmongers / @archmongers

Footprint: 2,200 square feet

Structural Engineer: Foster Structures LTD

Landscape Design: Miria Harris

Carpenter: Tepassé

Photographer: Jim Stephenson / @clickclickjim

From the Architect: “Archmongers has completed a modern update of a Victorian house in a conservation area in Dalston, Hackney, for a creative couple working in the fields of graphic design and illustration. The project has transformed the house from a poorly insulated, single-glazed, gas-heated property with an irrational compartmentalized plan into a thermally efficient, all-electric, hi-tech, contemporary home with abundant daylight. A sunny yellow frieze on the new rear extension features a pattern with stylized rays overlooking the re-landscaped garden and new garden annex housing a music room.

“The rear elevation is defined by a two-story yellow brick column with frameless windows, accommodating an additional single room on the ground and first floors and a lateral extension on the lower ground floor. The lower ground extension introduces generous sliding glazed doors that open onto the garden and is characterized by its ornamentation: decorative concrete tiles cut with a pattern which takes inspiration from the Victorian plasterwork on the street elevation. The bespoke pattern was designed by the client, Leona Clarke, working closely with Archmongers to fabricate and install it. The tiles were designed to have interlocking and overlapping shapes at different depths. Over time, the design will become more visible as the raised areas darken.

“Inside, the house has been remodeled as a background to the clients’ collection of art and furniture. The solid steel columns and beams defining the threshold to the extension are revealed, combined with the warmth and tactility of raw materials. The new layout relocates the kitchen to the upper ground floor, where it faces onto the front garden and receives even north light. This reunites the kitchen with the dining room, creating a progressively more private domain towards the back of the house, facing the garden.

“The extension now holds a cozy snug on the upper ground floor, and on the lower floor is a seating area in the living room which is dedicated to listening to music. This area is lit from above and furnished with a bespoke Douglas fir DJ cabinet with wall-mounted speakers, and the entire house is wired to stream music into every room from this listening space.

“A new stair centers these spaces, crafted from Douglas fir and ply—softwoods specified over carbon-heavy slow growing timbers—and accented with black rubber treads. This joinery—handcrafted by furniture designer/maker, Charles Tepasse—is a central design device repeated throughout, and an exercise in exploring the range of a single material. It reappear in the door frames, the deep timber window sills, as a fire door in the first-floor lobby, as a bed frame in the principal bedroom, and as a dividing wall to form a dressing room.

“The house is future proofed: kitted out with thermal insulation and underfloor waterproof membranes to reduce moisture levels, it is now powered by a heat pump, which is located in the front garden and cleverly concealed by a decorative Cor-Ten steel screen designed by Leona and fabricated by Bikebox Works.

“A new 129-square-foot garden studio provides an annexed space separate from the house for the client to enjoy their extensive vinyl collection. It features a wildflower green roof and rainwater collection and is accessed via the south-facing garden, which features a stepped landscape with verdant planting including evergreen climbers, designed by garden designer Miria Harris. A pergola provides shading to the rear façade and patio.”

Photo by Jim Stephenson

Photo by Jim Stephenson

Photo by Jim Stephenson

See the full story on Dwell.com: This London Townhome Boasts Two Dedicated Music Listening Areas
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My Big-Box Store Sofa Does Exactly What My DTC Sofas Didn’t

When my dream sectional arrived covered in what looked like blood stains, Raymour & Flanigan saved the day.

Welcome to Sofa Sagas—stories about the circuitous search for a very important and occasionally fraught piece of furniture.

I recently purchased a sectional from a DTC furniture brand. Yes, I’m ashamed. I knew better than to spend thousands of dollars on an object I’d never experienced in person, and to buy that object from a company whose Google results contain multiple Reddit posts titled things like “DO NOT BUY FROM [THIS COMPANY]” and “HELP!! HOW DO I DEAL WITH [THIS COMPANY]?” And yet I did. Please, listen to my story and learn from my mistakes.

To explain myself briefly—I’m not a particularly picky person when it comes to home decor. Most of the furniture in the apartment I share with my husband and our two dogs was acquired either as a hand-me-down or at low cost. Our space is decorated not intentionally, but merely with the things we’ve collected over the course of our lives: a papier-mâché head, multiple paintings of our dogs, a clay guy who is screaming, a small wooden hippo. My husband purchased our previous sectional before we lived together; it came from Wayfair and cost $500, which is an amount I didn’t know a sectional could cost. We had it for years.

That couch had undergone multiple surgeries over the years, performed by my husband. During the surgeries he would remove errant springs from the underside of the cushions and replace them with dish towels, duct taping the resulting hole. Eventually the couch became more dish towel than spring, and yet still, every time you sat down, you felt a spring poking you in your butt. I decided I couldn’t sit on this couch for another second around November of 2024. We sold it for $100 to a nice couple who, when they picked it up, said, “this will be perfect for our dog.” Correct.

I think you would agree that it was reasonable to assume a new DTC couch could not be worse than our previous couch. While researching options, I sought advice from friends, none of whom recommended the brand we ended up going with, and all of whom recommended DTC brands that indeed seemed better but were outside of our budget.

We settled on our new couch in part because the brand had a flashy Black Friday sale. Normally over $5,000, this couch was priced at just over $3,000. (Yes, I’m aware that brands like this hold these “sales” frequently, and that the “actual” price of over $5,000 is little more than an illusion. This is another red flag I ignored so you could learn this valuable lesson—you’re welcome.)

The couch seemed like everything I wanted our new couch to be, which was only three things: comfortable, a bit larger than our previous couch, and normal. It seemed to have good reviews and, in part because my bar was low, I felt confident splitting the purchase between my credit card and my husband’s so we could each get a share of the points.

The couch took a little over two months to ship. The idea of it somewhat brightened the ceaseless litany of dark American moments in the weeks between November and late January. Then finally it arrived.

After the couch was delivered and set up in our living room, my husband and I immediately noticed it was covered in large red stains that looked unnervingly like blood. (They could have also been permanent marker or, I guess, an extraterrestrial substance meant to serve as some sort of warning.) We counted six stains across the sectional’s body and pillows, and immediately I knew the expensive and scary couch must be returned. My husband—grasping at the idea that maybe, since we’ve been waiting so long for the couch, and since the couch was pretty much the only thing we had going for us right now and in fact our entire sense of wellbeing was dependent upon the couch, we could just live with the apparent blood stains if everything else was okay—expressed the desire that I slow down. “Let’s at least see if it’s comfortable first,” he said.

“You have to go Karen mode,” a friend advised. She was right.

The couch certainly appeared comfortable, with large, amply-stuffed pillows. It was big, poofy, and inviting. We sat down with our full weight, expecting to be supported by a dreamy cushion, only to instantly meet the cruel reality of a wooden plank. It felt like sitting on a surf board, or the stage crew-crafted Central Perk couch in a high school production of Friends. It was not only uncomfortable, it was flimsy; it made our old couch seem like a dish towel–stuffed picture of craftsmanship and relaxation. It was the worst couch I had ever experienced.

I sat on the surfboard couch while I Googled the company’s return policy. It showed that between shipping costs and the restocking fee, I would likely end up paying more to return the couch than I did to buy the couch. On top of that, Redditors complained that the company had a tendency to draw out returns past the return window, leaving you without whatever sum would even be left after their rapacious fees. Thank god, then, for the blood stains. “You have to go Karen mode,” a friend advised. She was right.

“Call [the company] immediately,” I told my husband. “To ask them what we should do?” he asked, too kind for this world. “No,” I said. “Tell them we’ve been shipped a defective couch with mysterious stains, we do not feel comfortable having it in our home, and we require an immediate pickup and a full refund without fees!!”

While he called, I emailed; we had to come at them from all sides. The customer service rep he spoke to said they would likely comply with our demands, but she had to check something and would call him back later that day. I said, to my husband, “SHE’S LYING! CALL BACK IN HALF AN HOUR! MENTION FEDERAL LAW!” Frightened, he did what I said, and that phone call led to a request for photos of the apparent blood stains, which we were happy to provide. And, well—I could explain to you in detail the litany of straining and polite emails and increasingly stern phone calls that took place over the next days, and believe me I would like to, but I know you’re busy, so let me just say: we eventually won. They agreed to pick up the couch at no cost, which they did a week after they delivered it, and gave us a full refund.

The day after we were introduced to the horror of the demon couch, my husband and I drove to the nearest Raymour & Flanigan. There, we sat on 30 to 40 reasonably comfortable couches. They were nearly all priced far lower than anything we’d looked at online. Eventually, we found our couch: comfortable, a bit larger than our last couch, normal, and $1,000 less than the other one. Raymour & Flanigan delivered it two days after we ordered it. It’s gray and its vibe is cozy, but it’s aesthetically neutral enough that it would likely register as nothing more than “couch” to a visitor. It looks at home in our living room, and it is a pleasure to sit upon.

Please, if you take anything away from this story, let it be this bit of wisdom: just buy a couch you’ve already sat on. You don’t have to buy a direct-to-consumer couch based on vibes and the misguided idea that there is something to gain financially by doing so. You can actually just go to one of the brick-and-mortar places that sells couches, sit on all of their couches, and pick the one you like the best. I love our new couch. 

Illustration by Clare Mallison

Related Reading:

My Wayfair Sofa Is Perfectly Fine—and That’s Good Enough for Me

My Exasperating Odyssey to Find the Perfect (Not Gray) Couch(es)