As a part of our 25th-anniversary celebration, we’re republishing formative magazine stories from before our website launched. This story previously appeared in Dwell’s July/August 2006 issue.

“In science fiction we dig out prophetic information regarding geodesic nets, pneumatic tubes and plastic domes and bubbles….Our document is the space comic; its reality is in the gesture, design and natural styling of hardware new to our decade-the capsule, the rocket, the bathyscope, the Zidpark, the handy-pak.”

These words, excerpted from editorials in Archigram 3 and 4 (1963 and 1964) and penned by Peter Cook, cofounder of the new defunct London-based architecture collective Archigram, express the excitement of a period beginning is the early ’60s when renegade architects around the globe questioned the very fundamentals of architecture, from its relationship to society to the production of buildings.

Influenced by the roiling movements in art, media, politics, and technology, they had names and group identities that bring to mind rock bands rather than architecture firms: the Metabolics, Superstudio, Ant Farm, and Archizoom. Instead of designing buildings, they more often created fantasy utopias, entire cityscapes on paper that were never built but which excited an entire generation and encouraged a wholesale reevaluation of the built environment.

In different ways and through different media—from gonzo graphics to film to performance art—many of them explored the impact of new materials, production processes, and the mobile lifestyle promised by the auto and aeronautical industries and information technology. “All of them were dealing with different modes of communicating architecture,” says David Erdman, cofounder of the design collaborative Servo. “And they were developing new languages of architecture that dealt with the new things it contained.”

Analyzing and critiquing the pervasive corporate modernism and overly rationalist urban planning of that period, these architectural outcasts seized on irony and wit to make their point. “This was a breakthrough moment when the explosion of new materials and radical lifestyles were driving a vision of architecture that was vaguely nomadic and not oriented toward the acquisition of possessions,” explains Craig Hodgetts, architect, professor of architecture, and longtime friend of the Ant Farm group. “The ideal was not the luxury bath we see today but the airplane bathroom.”

These collectives “introduced whimsy and subjectivity and insolence and irony back into architecture,” says Stephen Nowlin, director of the Williamson Gallery at Art Center College of Design in Pasadena. “At the time it was almost sacrilegious that they would do this. But that constructive insolence is one of the most important things you can teach in a design school.” In recent years there’s been a renewed interest in these counter movements with numerous traveling exhibits and academics doing weighty scholarship on their work.

The most influential and productive collective was Archigram, the eldest of the renegade groups. Its members (Peter Cook, Warren Chalk, Dennis Crompton, David Greene, Ron Herron, and Mike Webb) created an astonishing 900 drawings of pen-and-ink and collaged images between 1961 and 1974. The six met in the late ’5os while holding down day jobs at a large construction firm in London. Their nights, however, were spent feverishly drawing imaginary, mobile, temporary environments with electronic age names like the Capsule Home, the Plug-in City, and the Walking City, a megastructure that could plod across the land like a vast robotic animal.

They published their projects, along with essays and poems and the work of other designers they considered to be coconspirators against the establishment, in nine issues of an underground magazine they collaged together called Archigram, first published in May 1961.

Location: 53590 Jeffery Pine Road, Idyllwild, California

Price: $995,000

Year Built: 1980

Architect: Dennis McGuire

Footprint: 1,429 square feet (3 bedrooms, 2 baths)

Lot Size: 0.57 Acres

From the Agent: “Walk up a winding path of rock steps to experience this architectural gem, designed by Dennis McGuire. It organically rises out of the hillside in company with massive granite boulders, tall pines, cedars, colorful oaks, and Japanese maples. Many decks throughout the property offer sitting places to enjoy morning coffee with the birds, a good book, a conversation with a friend, or time alone breathing in the mountain air. The interior is an airy two-bedroom, one-bath  floor plan, with towering ceilings and wood beams throughout. An art studio and a workshop offer space for creative projects of all sorts. Outside, meandering trails and bridges lead to a guest suite designed by the owner with an architectural nod to Corbusier, Eames—and, of course, Thoreau too in its elegant simplicity. The home is nestled in the beautiful Cedar Glen neighborhood, and just outside the door are many forest hikes and the popular Deer Springs Trailhead where adventure awaits.”

Welcome to Prefab Profiles, an ongoing series of interviews with people transforming how we build houses. From prefab tiny houses and modular cabin kits to entire homes ready to ship, their projects represent some of the best ideas in the industry. Do you know a prefab brand that should be on our radar? Get in touch!

Founded in 2015 by CEO Duy Huynh, office furniture company Autonomous took its first foray into smart, tech-enabled designs with the launch of a standing desk on Kickstarter. From there, the company’s offerings expanded to include everything a remote or hybrid worker needs to run a well-equipped work-from-home operation, from ergonomic chairs, to 3D-printed slides, to AI supercomputers. More recently, Autonomous introduced an entire workspace, a plug-and-play backyard office called the WorkPod.

Here, company product manager Brody Slade explains more about the new prefab office and what sets it apart from other workspaces you could put in your backyard.

What does your base model cost and what does that pricing include?

The base model WorkPod is priced at $18,900, offering a gross floor area of 102 square feet. This includes a modular, eco-conscious design, delivered in three large crates with all components and tools for self-installation. We prioritize sustainable materials and efficient design to minimize environmental impact. The price covers the product itself, while shipping, tax, and professional installation are separate due to varying customer locations. We also offer smart-design options like integrated solar panel readiness and energy-efficient lighting.

What qualities make your prefab stand apart from the rest?

• Rapid, Eco-Friendly Installation: Modular design with adjustable foundations allows quick setup on various terrain, minimizing site disruption and using sustainable foundation solutions.
• Smart, Ready-to-Use Functionality: Built-in, energy-efficient electrical systems, optional smart ergonomic furniture, and advanced climate control ensure a plug-and-play workspace.
• Sustainable Durability: Seven-layer walls provide superior soundproofing and climate control, utilizing recycled and renewable materials for enhanced longevity and reduced environmental footprint.