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Charred Pine Brings a Dramatic Finish to a Coastal Cabin in Denmark

The four-room compound’s allover velvety black cladding contrasts its grassy setting.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Veddinge, Denmark

Architect: Förstberg Ling / @forstberg_ling

Footprint: 915 square feet

Structural Engineer: Ronny Malm

Cabinetry Design: Ali Atié

Photographer: Markus Linderoth / @markuslinderoth

From the Architect: “Arriving at Veddinge, at the northern tip of Zeeland near Copenhagen, the landscape undergoes a change from lowlands to grassy hills. A cabin from the 1950s sits on a slope overlooking the sea, offering extensive views along the coastline. Förstberg Ling designed a new, detached extension that provides additional bedrooms and a living room to accompany the kitchen and living spaces of the old cabin.

“The house consists of four volumes of different height, arranged to create a hidden enclosed space at their center. While moving around the house, you encircle the hidden space, connecting the rooms which range from narrow and taller, to wider and lower. The different levels at the front and back of the house contribute to the shifting scale throughout the volumes.

“The exterior is clad in blackened pine, while the interior features walls clad in plywood made from different veneers. Strategically placed windows highlight the verticality of the house and frame the surrounding tree tops, providing a different experience compared to the existing buildings’ horizontal panoramic views of the sea.”

Photo by Markus Linderoth

Photo by Markus Linderoth

Photo by Markus Linderoth

See the full story on Dwell.com: Charred Pine Brings a Dramatic Finish to a Coastal Cabin in Denmark
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Budget Breakdown: They Built a Net-Positive Home in the Hamptons for $3.2 Million

After moving back to New York from Japan, one woman calls an old college friend at Khanna Schultz Architecture to design a solar-powered house that can feed electricity back to the grid.

After entering through a gate, the home's charred spruce siding presents a somber face.

After dreaming of having a home in the Hamptons for years, one woman finally decided to make it a reality. “I have a couple of close friends who have places out east, and I’ve always enjoyed visiting them there,” says the homeowner, who spent three decades living in Japan before returning to New York during the early years of the pandemic. After an extensive search, she finally found the perfect spot in Amagansett. “I wanted to be close to my friends, and also be in a place where I could avoid having to be in my car all the time,” she says.

Recently divorced, she wanted to create a place that expressed her personality. “I found myself living by myself for the first time in my life,” she explains. “I wanted to build a house that would be an escape from city life, as well as a place I could share with my friends and children.”

New York-based firm Khanna Schultz built a net-positive home in the Hamptons inspired by Japanese design.

Brooklyn-based firm Khanna Schultz built a net-positive Hamptons home inspired by Japanese design.

Photo: Eric Petschek

After reaching out to architect Robert Schultz, an old friend from college who now leads New York firm Khanna Schultz with Vrinda Khanna, the homeowner set out to design her ideal weekend home. “From the beginning, she had the desire to make the house as energy-efficient and sustainable as possible,” says Schultz. 

Located on a quarter-acre site in Amagansett, the house is closely bordered by neighbors but screened by mature landscaping.

Located on a quarter-acre site in Amagansett, the house is closely bordered by neighbors but screened by mature landscaping. 

Photo: Eric Petschek

The house was designed around two mature crepe myrtle trees, signifying the home's focus on sustainability and dialogue with the landscape.

The house was designed around two mature crepe myrtle trees, establishing a dialogue with the landscape.

Photo: Eric Petschek

See the full story on Dwell.com: Budget Breakdown: They Built a Net-Positive Home in the Hamptons for $3.2 Million
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How They Pulled It Off: A 48-Foot Glass Hallway Joins a Pair of Historic Homes

In New Orleans, design firm Mason Ros came up with a gallery-like addition that links an 1830s-era Creole cottage to a neighboring shotgun.

Welcome to How They Pulled It Off, where we take a close look at one particularly challenging aspect of a home design and get the nitty-gritty details about how it became a reality.

When tasked with a way to conjoin two neighboring properties, homeowners Tom Perrault and Sal Giambanco’s vision started as a hyphen—not an em dash or an en dash—and ultimately landed on something grander than the former alley that once stood there. Thanks to some creative thinking from design firm Mason Ros, a glass-lined hallway spans the distance between the two structures and is now the centerpiece of their home.

Mason Ros led the design of a 48-foot glass hallway that connects two newly renovated homes in New Orleans.

Mason Ros led the design of a 48-foot glass hallway that connects two newly renovated homes in New Orleans. 

Photo by Laura Steffan

The couple added a backyard pool early in the renovation process.

The couple added a backyard pool early in the renovation process. 

Photo by Laura Steffan

Tom purchased a beat up (but still functioning) wooden scissor sculpture at an online circus auction. Covered in peeling baby blue paint, some expressed doubts, but he had a vision. Inspired by the work of Claes Oldenburg, Tom approached local artist Teddy Noggle who sanded it down, built the pedestal box it’s placed on, and painted the sculpture bright yellow.

Tom purchased a beat up (but still functioning) wooden scissor sculpture at an online circus auction. Covered in peeling baby blue paint, some expressed doubts, but he had a vision. Inspired by the work of Claes Oldenburg, Tom approached local artist Teddy Noggle, who sanded it down, built the pedestal box it’s placed on, and painted the sculpture bright yellow.  

Photo by Paul Costello

See the full story on Dwell.com: How They Pulled It Off: A 48-Foot Glass Hallway Joins a Pair of Historic Homes
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A Lush Lagoon in Scottsdale Awaits You for $3.4M

Calming interiors open up to verdant gardens and tranquil indoor/outdoor living.

6529 E Camino De Los Ranchos Street in Scottsdale, Arizona, is currently listed at $3,495,000 by Russ Lyon Sotheby’s International Realty.

Nestled in a neighborhood near Scottsdale Quarter, Kierland Commons, and Old Town Scottsdale, this home was designed as a quiet sanctuary that brings the outdoors in. Renovated in 2017, the home boasts distinctive features and an unparalleled charm that sets it apart from the rest, including a custom entry made of glass, steel, and wood. 

The home is currently thriving as a successful vacation rental, and it should come as no surprise: With an organic palette and natural materials, plus amenities like a lush, lagoon-style pool with concrete gas fire pit and circular seating.

Listing Details 

Bedrooms: 5 

Baths: 3 full 

Year Built: 1973 

Square Feet: 2,898

Plot Size: 0.24 acres

Courtesy of Russ Lyon Sotheby's International Realty

Courtesy of Russ Lyon Sotheby's International Realty

Courtesy of Russ Lyon Sotheby's International Realty

See the full story on Dwell.com: A Lush Lagoon in Scottsdale Awaits You for $3.4M
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Take in Views of Lake Washington From This Kirkland Home, Asking $3.1M

Cozy amenities abound, including heated floors, a jetted tub, and multiple fireplaces.

116 16th Avenue in Kirkland, Washington, is currently listed at $3,149,998 by Realogics Sotheby’s International Realty.

The home in Kirkland’s coveted East of Market neighborhood boasts an expansive floor plan with rich hardwoods, custom iron and glass accents, and sweeping views of Lake Washington and the Cascade Mountains. 

The gourmet kitchen features top-tier appliances, double dishwashers, three ovens, a built-in espresso machine, granite counters, and a custom pantry.

Upstairs, three generously sized bedrooms with lake views await, including a primary suite with a custom walk-in closet, private view deck, vanity lounge, and a spa-like bath with heated floors, a jetted tub, and dual-head shower. 

Four individual decks provide stunning vistas, while the lower level offers a spacious recreation room, a fourth bedroom, a full bath, and a three-car garage with an integrated gym and heated driveway. 

Listing Details 

Bedrooms: 5 

Baths: 4 full 

Year Built: 2008 

Square Feet: 4,310

Plot Size: 0.14 acres

Courtesy of Russ Lyon Sotheby's International Realty

Courtesy of Russ Lyon Sotheby's International Realty

Courtesy of Russ Lyon Sotheby's International Realty

See the full story on Dwell.com: Take in Views of Lake Washington From This Kirkland Home, Asking $3.1M
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A Charming Waterfront Cottage and Studio in Provincetown Hits the Market for $3.9M

This was once the home of playwright Eugene O'Neill as well as photographer Joel Meyerowitz.

593 Commercial Street in Provincetown, Massachusetts, is currently listed at $3,925,000 by Gabby Hanna at Gibson Sotheby’s International Realty.

This three-bedroom, two-and-a-half-bathroom compound blends casual beach charm with modern amenities, offering a serene escape amid views of Provincetown Harbor. Nestled amid lush gardens, this nearly double-wide waterfront lot with a cottage and separate studio is a rare gem.

The two-bedroom, one-and-a-half-bathroom cottage feels like a step back in time, with wide pine floors, exposed wood beams, and a wood-burning fireplace. The kitchen and bathroom boast modern living yet maintain an authentic quality of the historic home, first of Eugene O’Neill in 1916 and later of the photographer Joel Meyerowitz.

The inviting living room features large sliders that open onto the waterfront deck, allowing you to enjoy stunning bay and lighthouse views. The well-appointed kitchen features butcher block countertops and ample cabinetry, perfect for preparing meals while taking in the sunset. A stylishly renovated full bath with contemporary tilework blends modern comfort with functionality. Situated alongside is the laundry area, complete with a folding station.

The second-floor staircase, framed with boat oar bannisters, leads to a landing with the guest bedroom to the left, the primary bedroom to the right, and a half-bath in the middle. The primary bedroom offers panoramic water views, creating a peaceful sanctuary. Ample storage exists with built-in cabinetry, including under the platform bed, and a wardrobe on the landing provides additional hanging space. 

The guest bedroom overlooks the front of the home and includes abundant closets and built-ins for storage. The charming half-bath completes the comfort of the bedroom level.

Across the lush lawn, the stand-alone studio suite with its own full bath and kitchen offers flexible living arrangements, ideal for guests, extended family, or potential rental income with its own private entry and direct beach access. Offering privacy, the space could make for a stunning waterfront at-home office.

The highlight of the property is the spacious waterfront deck with outdoor shower. Unparalleled views of Provincetown Harbor is paired with landscaping that provides a privacy rarely available with waterfront properties. Surrounding the property, lush gardens add color and tranquility to the outdoor experience, while a shed offers additional storage space for bikes or gardening tools.

Listing Details 

Bedrooms: 3

Baths: 2 full, 1 partial

Year Built: 1900

Square Feet: 1,098

Plot Size: 0.2 acres

Courtesy of Gibson Sotheby's International Realty

Courtesy of Gibson Sotheby's International Realty

Courtesy of Gibson Sotheby's International Realty

See the full story on Dwell.com: A Charming Waterfront Cottage and Studio in Provincetown Hits the Market for $3.9M
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With a 30-Foot Front Door, This $3.8M San Diego Home Makes a Grand First Impression

Enjoy the year-round sunshine with multiple outdoor spaces and beautifully landscaped grounds.

1855 Sefton Place in San Diego, California, is currently listed at $3,875,000 by Megan Luce at Pacific Sotheby’s International Realty.

This home is all about making a statement—starting with a 30-foot hand-carved ironwood front door from Costa Rica that’s flanked by floor-to-ceiling windows. The open floor plan is designed for modern living with a gourmet kitchen as its centerpiece. Equipped with top-of-the-line GE Monogram appliances and a Viking wine fridge, the kitchen is set up for both everyday cooking and entertaining. The layout includes a spacious walk-in pantry and ample closet space, ensuring functionality without sacrificing style. 

The elegant formal living room invites relaxation, while the primary retreat offers sanctuary to unwind. Step outside to discover the beautifully paved backyard, offering ample space for entertaining. With a designated barbecue area, it’s perfect for hosting gatherings or enjoying casual meals under the sun. 

Listing Details 

Bedrooms: 4 

Baths: 4 full

Year Built: 1975

Square Feet: 4,219 

Plot Size: 0.22 acres

Courtesy of Pacific Sotheby's International Realty

Courtesy of Pacific Sotheby's International Realty

Courtesy of Pacific Sotheby's International Realty

See the full story on Dwell.com: With a 30-Foot Front Door, This $3.8M San Diego Home Makes a Grand First Impression
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A Southern Utah Sanctuary Between Three National Parks Asks $8M

Enjoy a saltwater pool and spa, gym, infrared sauna, and hiking trails aplenty.

63 E Colima Road, Washington, Utah, is currently listed at $8,000,000 by Kylee Willard and Eddy Ortiz at Summit Sotheby’s International Realty.

This custom-built home by C. Blake Homes is located in Southern Utah’s newest gated community Solente, with concierge-style service and access to six hiking trails less than two miles away. 

The gourmet kitchen boasts Sub-Zero, Wolf appliances, two ovens, two steam ovens, an induction cooktop, two House of Rohl sinks, a built-in banquette, walnut cabinets, and a large walk-in pantry with amazing views. Two wet bars round the space out to make entertaining a breeze. 

Custom touches permeate the home including real walnut accents on both the exterior and interior, stunning entryway baseboards, and intricate custom trim on bathroom walls. Each bathroom has backlit soapboxes in all showers, while the bedrooms have backlit ceiling trays and outdoor seating areas to enjoy views from every room. 

Designed for both relaxation and entertainment, the property includes a saltwater pool and spa, a fully equipped gym system, an infrared sauna, and multiple fireplaces—four indoors and three outdoors. Modern technology enhances everyday living with a built-in Sonos sound system, a Hague water system, and quartzite countertops from Italy. 

The home’s exterior is as striking as its interior, featuring exposed aggregate concrete, C-channel metal beams, and walnut accents that blend seamlessly with the surrounding open space. 

Situated in a serene setting with views from every room, the home was designed as a sanctuary. The home is a short drive to the massive cliffs of Zion National Park, the hoodoos of Bryce Canyon National Park, and the North Rim of the Grand Canyon. There are four large reservoirs nearby and thousands of public acres for the adventurous at heart. 

Listing Details 

Bedrooms: 4 

Baths: 4 full, 2 partial 

Year Built: 2025 

Square Feet: 37,166

Plot Size: 0.44 acres

Courtesy of Summit Sotheby's International Realty

Courtesy of Summit Sotheby's International Realty

Courtesy of Summit Sotheby's International Realty

See the full story on Dwell.com: A Southern Utah Sanctuary Between Three National Parks Asks $8M
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In Los Angeles, a Modern Farmhouse With an ADU and Pickleball Court Seeks $8.9M

A sleek and soothing escape in Bel Air awaits.

10560 Dolcedo Way in Los Angeles, California, is currently listed at $8,995,000 by Shamon Shamonki at Sotheby’s International Realty – Brentwood Brokerage.

This newly reimagined modern farmhouse is nestled within a coveted enclave of prestigious Lower Bel Air, minutes away from the iconic Bel Air Hotel. 

Resting on over half an acre of verdant grounds, the five-bedroom, five-and-a-half bathroom residence is illuminated by soaring and sky-lit 18-foot ceilings that create a bright and airy atmosphere throughout. This residence is all about the details, and was designed for indoor/outdoor enjoyment with fire-proof metal roofing and interlocking fold-away steel and glass walls.

The floor plan holds lavish en suite bedrooms, with luxe finishes and indulgent steam showers. The bathrooms are outfitted with Graff products and stunning Italian fixtures from Gessi and Fantini. The primary suite is nothing short of a sanctuary, with a spa-inspired bathroom that includes a freestanding soaking tub, walk-in steam shower, generous dual vanities, a cavernous walk-in closet, and private indoor and outdoor lounging areas. 

Designed by DI Group, the kitchen is a chef’s dream, complete with top-tier (and hidden) Miele appliances, bespoke cabinetry, a drinking water system purified via reverse osmosis, and a hyper-filtration system. An expansive open-plan layout connects the kitchen, living areas, and resort-like backyard, creating the ultimate setting for both intimate gatherings and grand entertaining. 

Step outside to a private oasis, set up for al fresco dining with a corner bar. Play a game of pickleball on the court with a private lounging area, or enjoy the platform that overlooks lush tree tops, villas and sunsets over the mountains. 

In addition, the property includes an impeccably designed and permitted guest house (ADU) for visitors, extended family, exclusive office, or potential for rental income.

Listing Details 

Bedrooms: 5 

Baths: 5 full, 1 partial 

Year Built: 1936

Square Feet: 3,800

Plot Size: 0.6 acres

Courtesy of Sotheby's International Realty – Brentwood Brokerage

Courtesy of Sotheby's International Realty – Brentwood Brokerage

Courtesy of Sotheby's International Realty – Brentwood Brokerage

See the full story on Dwell.com: In Los Angeles, a Modern Farmhouse With an ADU and Pickleball Court Seeks $8.9M
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“We’re Going to Have Something Worse”: What Dr. Lucy Jones Says Will Make L.A. More Fire Resilient

The city’s seismologist turned climate disaster expert wants better building codes but isn’t waiting around for them.

Homes in Altadena, California, lie in ruins two weeks after the Eaton Fire ripped through the Southern California community.

For decades, seismologist Lucy Jones was best known for coming on live TV after an earthquake to reassure a shaky Los Angeles—and remind Angelenos to prepare for the “big one.” But in recent years, she’s been broadening her area of expertise. In 2016, Jones founded the Dr. Lucy Jones Center for Science and Society, which works with governments and nonprofits on disaster resilience plans, and not just for earthquakes, she says. “I’ve been moving more into the climate space because what’s coming from climate change is going to be worse than what earthquakes could do to us.”

In January, one of the worst-case scenarios that Jones had been preparing for came to pass as the Palisades and Eaton Fires ripped through different corners of L.A. County. A Pasadena resident and longtime Caltech faculty member, Jones watched as at least 235 members of her scientific community lost their homes in the Eaton Fire, leading Caltech to sign a master lease of a newly built apartment building to house 80 families. Now, as L.A. moves from response to recovery, Jones remains a trusted resource for her own colleagues as well as local policymakers working to restructure a society that can more quickly bounce back after a disaster. It’s a topic she explored in depth in her 2019 book, The Big Ones: How Disasters Have Shaped Us (and What We Can Do About Them).

Dr. Lucy Jones is a Los Angeles seismologist who works with nonprofits and governments to develop disaster resilience plans.

Dr. Lucy Jones is a Los Angeles seismologist who works with local nonprofits and government to develop disaster resilience plans.

Photo courtesy of Dr. Lucy Jones

On a rainy March morning, as debris flows coming out of burn areas triggered emergency alerts, I met Jones at her former workplace on the Caltech campus. A small exhibit in the entrance of the Seismology Laboratory provided haunting echoes of previous calamities the region had faced. “Food rushed to ruined cities” screams the front page of a 1933 issue of the Los Angeles Times after the Long Beach earthquake killed as many as 125 people. With the fire-scarred San Gabriel Mountains before us, Jones explains how we can better prepare for worsening climate disasters and why the best way to recover from them remains the same: by forming even stronger community ties.

You’re a seismologist who has warned L.A. for many, many years about the importance of preparing for a major earthquake. Why will climate change be worse? 

Dr. Lucy Jones: I first really heard about climate change in 1992. I was put on something called the Board on Natural Disasters, which was part of the National Academy of Sciences, advising on research about disasters. So I was the seismologist, and an atmospheric scientist came and talked about climate issues. Even then, he said, the first sign is going to be an increase in extreme events. When you raise a degree centigrade, you don’t notice it so much, but that degree is heat. Heat is energy. We’ve increased the amount of energy in the atmosphere, and that amount of energy to drive storms has gone up.

And that’s really changed [Los Angeles]. We’re starting to recognize the inevitability of wildfires, and our ecosystems are all experiencing a slightly different climate than they evolved for. The way ecosystems shift is, you have a big wildfire, it kills all the plants, and new plants come in. It is, in a sense, natural. But in California, as I learned while working with fire ecologists, we do not naturally have wildfires during the strong northeast Santa Ana winds. Natural wildfires start from lightning strikes, which happen at a different time of year. So we’ve really changed the nature of fires in Southern California by adding more human sources of ignition.

I think that’s a reality that everyone needs to come to terms with. When it comes down to it, the human presence is the problem.

That said, I think people underestimate how much you can make your house stronger. I was talking to a structural engineer who works for the Institute for Catastrophic Loss Reduction, which is funded by insurance companies in Canada. He was saying that the 2008 building code in California, which we still use, is really good—that it’s still way ahead of all the other states. And there’s not a lot that they would recommend adding to it. He said one thing would be requiring a five-foot apron of noncombustible material around the house. After talking with him, my husband and I are actually pulling out some plants near our house and taking down a wooden fence.

“I think wildfires are going to be what gets us to finally act on climate change.”

—Dr. Lucy Jones

You were a mile away from this fire, but there were embers that traveled that far.

I’m not in Altadena, but I was a mile from the evacuation zone. We have a gorgeous 1948 midcentury modern with these really big windows and molding underneath. The embers did come down here. There was another fire that started up by the Trader Joe’s in San Gabriel, which is as close to us as the Eaton Fire was. The neighbor’s tree came down on our house because of the winds. We were getting ready in case we got evacuated.

In 2009 we were the first block evacuated in the Station Fire, which is part of why we left La Cañada. That fire was not wind-driven; it was heat-driven. It was in August, and it was 110 degrees. Nobody lost their houses. The L.A. County Fire Department did an amazing job. They stopped it in our neighbor’s backyard. We were out of the house for three days and when we finally got home, it smelled like an ashtray. And then there were debris flows. We were trapped one day where one had gone down the Angeles Crest Highway. It was so disruptive. We decided to move after our kids left for college. We thought about moving to Altadena, because everybody lives in Altadena, because you want to be by the mountains. We loved living by the mountains. But I couldn’t do it. I didn’t want to go through that again.

We now have the state fire maps changing, with these new boundaries in Altadena. But does that warning of risk really change people’s decisions about where to live?

Immediately after a fire, everybody’s thinking about it. The danger also fades really quickly. We recognize the need for fire departments—we don’t always recognize the need for fire building codes. Disaster response has an emotional connection. Prevention doesn’t, because it’s abstract, in the future, and coming out of an analytical side of the brain. I saw one study that said we spend $8 on response for every dollar we spend on prevention and each dollar spent on prevention saves $6 for response. It would be way more cost-effective if we were willing to do the prevention.

But we do seem to process this preparedness for earthquakes differently compared to other hazards. Is it because we have these little ones all the time that remind us of the danger?

It helps. What is going to get us to focus on the danger? If it’s catastrophic, if it affects a lot of people or future generations, or if it’s a particularly awful way to die. So earthquakes really check a lot of these boxes. With earthquakes, you have absolutely no notice, and you’re being trapped in a downed building as a fire comes through. Floods kill as many people as earthquakes in the United States, but who’s afraid of the rain? It’s predicted. You can see it coming. You have an illusion of being more in control, and all of those things make it feel safer.

Fires are somewhere in between. There’s a type of fire weather, so we know when they might come. But fires are now spreading so fast. These wind-driven ones like what happened in Santa Rosa, Lahaina, or here have a pattern of starting in wildlands and moving through an urban environment, because the winds have gotten so strong. These types of fires are going to become a lot more common, and it’s changing our perception. People are more afraid of fires now than they were a decade ago, and there’s more belief in the inevitability of climate change, because we’ve seen the evidence. I have been saying for a few years that I think wildfires are going to be what gets us to finally act on climate change.

So while this fear is fresh in people’s minds, isn’t this a good time to have conversations about whether or not we should be moving back into these areas? Or, maybe what we should be doing as a government to help people not move back? 

Philosophically, Americans have a really hard time with this. We are very individualistic. We don’t like the government telling us we can do with our property. The government steps in when something becomes a life safety issue, but the problem is that those mechanisms are 30 years old. We don’t like to fund regulators. We have a lot of people who try to get around them, and this is what happens when you don’t fund them well enough.

One thing about climate right now is there are not going to be federal initiatives for a while, and one could take that as a reason to despair. But, in fact, a lot of what has to happen has to happen locally, and we don’t have to wait for the feds. A lot of the local action is around housing issues. Enforcement of building codes is still a local jurisdictional issue. There are a lot of local jurisdictions that do not have an engineer in their building departments, and the chief building official is a political appointment, a developer or someone who comes out of the construction industry. I want the building code department to be the strongest department.

Los Angeles’s Dr. Lucy Jones was focused on earthquakes before broadening her scope to include all natural disasters, which she discusses in her 2018 book.

Dr. Jones was focused on earthquakes before broadening her scope to include all natural disasters, which she discusses in her 2018 book.

Image courtesy of Dr. Lucy Jones

And it needs to happen pretty quickly. After Lahaina happened you said L.A. would be next, that it was only a matter of time.

Yes, I just didn’t think it was going to be within the next year. The thing about climate change is that this is an exponential growth curve—when we think about how it’s changing, we’re underestimating how fast it’s going to happen. How will we cope if the next fire that does this literally burns down to the 210 freeway and then the next one burns down to San Marino? How far into the city can it go? We’re going to have something worse than this, and we’re going to have a lot of bankrupted people because they won’t be able to rebuild.

We’re now moving from the response phase to the recovery phase. The next phase is resilience. So what does a better approach to resilience look like?

Southern California doesn’t do community very well. We’re famous for our freeway culture. But I’ve been really impressed at how communities have come together and how much people want to do—there was this huge outpouring. Now it’s starting to fade. People are recognizing there needs to be more.

But that’s the idea: you are surrounded by community hubs. It could be a faith- or church-based community, or other sorts of organizations where people come together for their neighborhood. That sort of community then connects you back to people, and makes you want to stay with it as you’re trying to deal with all of this. And then it’s easy to figure out who’s helping who. A couple of years ago, I had been asked by the Episcopal Diocese of Los Angeles to help them develop a disaster preparedness program for churches as part of their climate response. On the night of the fires, I activated a disaster cohort from that program and stepped in and helped. I realized how much better I just felt that I’d done something.

L.A. was facing many more challenges before the most current disaster. How realistic is it that we will actually learn from this one?

One of the things that we like to say is that disasters don’t break systems. Rather, they reveal what’s already broken. I can imagine a future in which we do this, in which we survive here, and we figure out how to restructure into something more sustainable. I can also imagine a future in which we don’t.

Top photo courtesy of Robert Gauthier/Los Angeles Times via Getty Images

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