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Asking $1.9M, This Storybook Tudor in the Pacific Northwest Is Ready for a New Chapter

Set high in the hills above Portland, the home has a stately turret, vibrant interiors, and 200-year-old terra-cotta tile floors.

Set high in the hills above Portland, this home has a stately turret, vibrant interiors, and 200-year-old terra-cotta tile floors.

Location: 1240 NW Summit Ave, Portland, Oregon

Price: $1,850,000

Year Built: 1916

Architect: Wade Hampton Pipes

Renovation Dates: 2023

Renovation Architect: Emily Sue Wu, Peony Architecture

Footprint: 4,321 square feet (5 bedrooms, 4 baths)

Lot Size: 0.12 Acres

From the Agent: The Swift House was designed by the award-winning architect Wade Hampton Pipes. Like an urban motte-and-bailey castle, this turn-of-the-century home in the Kings Heights neighborhood of Portland, Oregon, overlooks city views, an annual migration of swifts, and four snow-covered volcanoes. A sweeping renovation in 2023 by architect Emily Sue Wu of Peony Architecture and interior design and art curation by Drew Arenth infused vibrant, natural  materials and old-world detail into the grand Pacific Northwest home. Arched passages beckon you into rooms adorned with ancient recovered French terra-cotta or an ocean mosaic of Moroccan zellige tiles. The zinc counters, brass fixtures, and locally sourced black walnut cabinets will grow more beautiful over time.”

A functional wood-burning fireplace warms the living room.

A woodburning fireplace warms the living room.

Theo and Theresa Morrison

The third floor has extra tall, vaulted ceilings.

The third floor has extra-tall, vaulted ceilings.

Theo and Theresa Morrison

Theo and Theresa Morrison

See the full story on Dwell.com: Asking $1.9M, This Storybook Tudor in the Pacific Northwest Is Ready for a New Chapter
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Budget Breakdown: You’d Never Guess This Serene Family Home Was a Marijuana Grow House

After an ordeal with rogue tenants, Chlo Interiors had their work cut out for them as they removed vinyl vertical blinds, ’80s mirrored walls, and an ad hoc cannabis ventilation system for $1.3 million.

The designers painted the walls of the living room bright white and outfitted the space with custom millwork beneath the fireplace and modernist light fixtures and furniture.

When Sunita and Minesh Patel first bought this 4,100-square-foot home in Cerritos, California, they were living nearby at Minesh’s parents’ place. Instead of moving right in, they decided to rent it out and save up for a renovation that would turn it into their forever home. “When we bought the Belmont House way back in 2007, we knew we were going to remodel, but we didn’t know when,” explains Sunita.

Years passed as the couple became immersed in work and family life, raising three children who are now adults. Then, one evening in 2019, Sunita and Minesh were watching the local news—and they saw their future forever home being raided by the police. “We discovered it was being used illegally as a marijuana grow house,” Sunita explains.

Before: Living Room

Susie Chang and Jason Lo, of CHLO Interiors, renovated a 1980s house for Sunita and Minesh Patel and their family. The living room of the existing house was sunken and featured grayish blue walls and blond wood trim.

Susie Chang and Jason Lo, of Chlo Interiors, renovated a 1980s house for Sunita and Minesh Patel and their family. The living room of the existing house was sunken and featured grayish blue walls and blond wood trim.

Photo courtesy of Chlo Interiors

After: Living Room

The designers painted the walls of the living room bright white and outfitted the space with custom millwork beneath the fireplace and modernist light fixtures and furniture.

The designers painted the walls of the living room bright white and outfitted the space with contemporary furniture and fixtures. 

Photo by Josh Bustos

Integrated storage custom crafted with walnut lends warmth and texture to the water vapor fireplace and stark white fire surround.

A custom built-in storage unit made of walnut lends warmth and texture to the water vapor fireplace and bright white surround.

Photo by Josh Bustos

See the full story on Dwell.com: Budget Breakdown: You’d Never Guess This Serene Family Home Was a Marijuana Grow House
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How Do You Define Spaces in a Tiny Apartment? This Madrid Flat Has Ideas

The 430-square-foot plan has an angled yellow ceiling that shapes the kitchen and a curtain that closes off a desk area, to start.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Madrid, Spain

Architect: Gon Architects / @gonarchitects

Footprint: 430 square feet

Builder: Orfisa

Photographer: Imagen Subliminal / @imagensubliminal

From the Architect: Casa Costa is located on the top floor of a three-story linear block in a 1980s urban development, situated in northern Madrid next to the A1 highway. Our challenge was to transform a 430-square-foot pass-through dwelling (complete with a terrace and four rooms) into an open, boundary-free space. To do this we relied on the true protagonist of this site, which are the views on both sides of the house.  Overlooking a grove of cedar and tall poplar trees, the views create an environment that feels as if one is floating among the treetops from inside the house. The owner, Costa, is a visual designer for a consulting firm who works from home. Like Cosimo, the main character in Italo Calvino’s 1957 novel ‘The Baron Rampant,’ Costa lives in the heights, surrounded by vegetation and nature.

“The house is defined by two terraces: a public one facing north and a private one facing south. The layout revolves around a central volume, a box that contains a pass-through bathroom and storage. It also creates a double circulation path, enhancing the home’s flexibility and permeability with views and cross ventilation, and the possibility of circular paths.

“In this way, Casa Costa is proposed as a house that rotates around a bathroom. On one hand it allows nature and the landscape to pass through, and on the other, it seeks to organize it into two distinct areas, according to a private-public vector. The private area at the house’s entrance contains the bedroom. The public, on the other side of the volume, includes a single room. It is delimited by a diagonal in the false ceiling, constituted by a kitchen with a living room.

“In contrast to the idea of a compact volume, we opted for a fragmented design, with different materials, colors, and textures that multiply the number of ‘faces’ in the apartment.”

“The material and finishing system used in both the horizontal and vertical planes reinforces the ideas of continuity, flexibility, and exteriority in the house. The pavements are designed as a continuous element that blurs the boundary between what is inside and what is outside. The floor-to-ceiling curtains offer the image of a mutable space. The painted color planes on walls and ceilings define specific spaces within the house.”

Photo by Imagen Subliminal 

Photo by Imagen Subliminal

Photo by Imagen Subliminal

See the full story on Dwell.com: How Do You Define Spaces in a Tiny Apartment? This Madrid Flat Has Ideas
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If You Dream of Life on the Range, Here’s a Unique Texas Ranch for $1M

Designed by Max Levy, the contemporary home is wrapped in corrugated metal—and it comes with a barn, an ADU, and 4.65 acres of land.

Designed by Max Levy, the contemporary home is wrapped in corrugated metal—and it comes with a barn, an ADU, and 4.65 acres of land.

Location: 2436 Big Sky Trail, Ponder, TX

Price: $999,999

Year Built: 1999

Architect: Max Levy

Footprint: 2,113 square feet (3 bedrooms, 3 baths)

Lot Size: 4.65 Acres

From the Agent: “Nestled on a sprawling 4.65-acre estate, this prairie-style home, designed by award-winning architect Max Levy and featured on HGTV, blends of modern elegance and rustic charm. The residence offers 2,113 square feet, and the property include a four-stall barn, perfectly suited for equestrian enthusiasts, with fenced pastures ready for horses. The property is ag exempt, making it ideal for agricultural pursuits. A 312-square-foot ADU offers versatility for guests or a private retreat. With an additional 5.35 acres available, this estate provides endless possibilities for expansion or creating your dream rural sanctuary.”

The kitchen looks out onto a small courtyard nestled between the two wings of the home.

The kitchen overlooks a small courtyard nestled between the two wings of the home.

Photo courtesy of homeowner

Photo courtesy of homeowner

Photo courtesy of homeowner

See the full story on Dwell.com: If You Dream of Life on the Range, Here’s a Unique Texas Ranch for $1M
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Evictions for Middle-Class New Yorkers Rise—and Everything Else You Need to Know About This Week

In the news: Trump razes Washington, D.C.’s BLM Plaza, an L.A. community fights to save historic tiles from burned homes, artist Ming Fay’s legacy lives on, and more.

  • New York’s eviction rates have dropped overall due to free legal aid for low-income tenants. But according to a new report, middle-income New Yorkers are now as likely to be be booted as those living in poverty, sparking calls for expanded protections. (Gothamist)
  • Ming Fay, the artist famed for his whimsical subway mosaics and papier-mâché sculptures, has died at 82. Blending Chinese symbolism with urban backdrops, his work made nature impossible to ignore—even in the heart of the city. (The New York Times)

Artist Ming Fay, known for his larger-than-life depictions of the natural world, sits for a portrait in his New York City studio. He died at age 82.

Artist Ming Fay, known for his larger-than-life depictions of the natural world, sits for a portrait in his New York City studio. He died at age 82.

Courtesy of Ming Fay Studio

  • Trump promised to use federal land to build affordable housing when he took office, and now, his administration has created a task force to determine the best sites. But only a fraction of them are near cities that actually need it most. (The Wall Street Journal)

  • The White House celebrated the removal of BLM Plaza in D.C., calling it an “eyesore of a virtue signal.” The site will be renamed Liberty Plaza, and Trump allies are framing the change as a rejection of “wokeness.” (New York Post)

  • In the wake of Los Angeles’s Eaton Fire, a grassroots group in Altadena is racing against bulldozers to collect historic Batchelder tiles—salvaging remnants of the town’s architectural history. (Dwell)

Volunteers are saving Batchelder tiles from the rubble of burned homes in Altadena, California.

Volunteers are saving Batchelder tiles from the rubble of burned homes in Altadena, California.

Photo by Nick Agro

Top image courtesy of Spencer Platt/Getty Images

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Construction Diary: How a California Designer Crafted His New Family Home—On Top of Their First Home

Eric Johnson fixed a 1,430-square-foot indoor/outdoor plan atop his ’50s Encinitas beach house, disguising the entire project as a single residence.

Eric Johnson appreciates sleight of hand, especially when it comes to design. The educator and designer’s own home in Encinitas, California, appears as a two-level single-family dwelling—one front door, uniform cladding, and few windows on the lower level—but is in fact two homes. Having been in his ’50s beach home for 17 years, Eric wanted more space (and more bathrooms) for his growing family, so he designed a 1,430-square-foot indoor/outdoor plan on top of it, moving in upstairs and using the original space as a rental.

Architecture professor Eric Johnson designed an expansion for his Encinitas family home that hovers above the existing 1950s structure below. The living area opens to a covered porch with views of the neighborhood and beach.

Architecture professor Eric Johnson created a new home for his family atop their ’50s beach home in Encinitas, California. Its living area opens to a covered porch with views of the neighborhood and beach.

Photo by Kristy Walker

“The new house essentially fits over the old one and hovers above it,” explains Eric. He doesn’t mean that his family’s floor literally “hovers,” of course, but that it has its own structural system that ties into the existing home, separated with a cavity between the roof and the new floor that holds mechanical equipment dedicated to the top level. Each home has its own entrance, and Eric kept the office downstairs for himself, which has its own access, and sits adjacent to his standalone woodshop.

In another of a series of surprises, because Eric maintained and lightly updated the interiors of the ’50s home while he and his family lived there, entering the freshly clad building on the lower level is something of a time warp. Below, the designer explains how he preserved their beloved beach home while creating an upstairs addition—or perhaps, more accurately, a house on a house—that works for both his family and the neighborhood.

The upper addition

An 18-foot-long glass slider connects the open-plan living area with the covered porch, essentially doubling the usable space.

Photo by Jeremy Artates

Something Old, Something New

Eric Johnson: My family and I had been living in this house for a while before we decided to add on. Both of my kids were born here. It’s a typical 1950s coastal beach house: single story, two bedrooms, one bath, very little storage. Over time, I removed all the carpeting and refinished the floors, and I redid the bathroom and the kitchen—mostly cosmetic stuff. As our kids were getting older, it started to feel tight, especially when you’re sharing one bathroom with four people. It was time to expand.

The living room in the existing home had wood ceilings with exposed beams. Johnson wanted to maintain these and other historic details, so he decided to keep the existing house in tact and build the addition floating above it.

The living room in the existing home has a wood ceiling with exposed beams. Johnson wanted to maintain these and other historic details, so he devised a separate structure for the addition that’s attached to the home.

Photo by Jeremy Artates

See the full story on Dwell.com: Construction Diary: How a California Designer Crafted His New Family Home—On Top of Their First Home
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Architect Robin Donaldson Just Listed His Santa Barbara Home for $5M

The concrete home soaks up the sun with solar panels, floor-to-ceiling windows, and a rooftop terrace with views of the Pacific Ocean and the Santa Ynez mountains.

Designed by architect Robin Donaldson as his personal home, this 3,160-square-foot loft is located in downtown Santa Barabara.

Location: 414B Anacapa Street, Santa Barbara, California 

Price: $5,000,000

Year Built: 2017

Architect: Robin Donaldson

Footprint: 3,160 square feet (4 bedrooms, 5 baths)

Lot Size: 3,484 square feet

From the Agent: “Designed by award-winning architect Robin Donaldson as his personal residence, this 1-of-1 home epitomizes the Santa Barbara lifestyle on a site in the heart of downtown, right next to the beach. This home offers the utmost privacy, set back from the street behind two gates. The 3,160-square-foot residence features four beds, five baths, a separate office, and an elevator. The design’s seamless indoor/outdoor spaces are enhanced by floor-to-ceiling windows and a rooftop terrace with soaking tub. Additional highlights include a massive two-car garage and solar panels.”

Designed by architect Robin Donaldson as his personal home, this 3,160-square-foot loft is located in downtown Santa Barabara.

Designed by architect Robin Donaldson as his personal home, this 3,160-square-foot residence is located in downtown Santa Barbara. 

Photo by Blake Bronstad

Photo by Blake Bronstad

Photo by Blake Bronstad

See the full story on Dwell.com: Architect Robin Donaldson Just Listed His Santa Barbara Home for $5M

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This London Townhome Boasts Two Dedicated Music Listening Areas

A renovation made space for a record cabinet that’s wired to every room in the house; outside, a garden studio features a second setup.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: London, United Kingdom

Architect: Archmongers / @archmongers

Footprint: 2,200 square feet

Structural Engineer: Foster Structures LTD

Landscape Design: Miria Harris

Carpenter: Tepassé

Photographer: Jim Stephenson / @clickclickjim

From the Architect: “Archmongers has completed a modern update of a Victorian house in a conservation area in Dalston, Hackney, for a creative couple working in the fields of graphic design and illustration. The project has transformed the house from a poorly insulated, single-glazed, gas-heated property with an irrational compartmentalized plan into a thermally efficient, all-electric, hi-tech, contemporary home with abundant daylight. A sunny yellow frieze on the new rear extension features a pattern with stylized rays overlooking the re-landscaped garden and new garden annex housing a music room.

“The rear elevation is defined by a two-story yellow brick column with frameless windows, accommodating an additional single room on the ground and first floors and a lateral extension on the lower ground floor. The lower ground extension introduces generous sliding glazed doors that open onto the garden and is characterized by its ornamentation: decorative concrete tiles cut with a pattern which takes inspiration from the Victorian plasterwork on the street elevation. The bespoke pattern was designed by the client, Leona Clarke, working closely with Archmongers to fabricate and install it. The tiles were designed to have interlocking and overlapping shapes at different depths. Over time, the design will become more visible as the raised areas darken.

“Inside, the house has been remodeled as a background to the clients’ collection of art and furniture. The solid steel columns and beams defining the threshold to the extension are revealed, combined with the warmth and tactility of raw materials. The new layout relocates the kitchen to the upper ground floor, where it faces onto the front garden and receives even north light. This reunites the kitchen with the dining room, creating a progressively more private domain towards the back of the house, facing the garden.

“The extension now holds a cozy snug on the upper ground floor, and on the lower floor is a seating area in the living room which is dedicated to listening to music. This area is lit from above and furnished with a bespoke Douglas fir DJ cabinet with wall-mounted speakers, and the entire house is wired to stream music into every room from this listening space.

“A new stair centers these spaces, crafted from Douglas fir and ply—softwoods specified over carbon-heavy slow growing timbers—and accented with black rubber treads. This joinery—handcrafted by furniture designer/maker, Charles Tepasse—is a central design device repeated throughout, and an exercise in exploring the range of a single material. It reappear in the door frames, the deep timber window sills, as a fire door in the first-floor lobby, as a bed frame in the principal bedroom, and as a dividing wall to form a dressing room.

“The house is future proofed: kitted out with thermal insulation and underfloor waterproof membranes to reduce moisture levels, it is now powered by a heat pump, which is located in the front garden and cleverly concealed by a decorative Cor-Ten steel screen designed by Leona and fabricated by Bikebox Works.

“A new 129-square-foot garden studio provides an annexed space separate from the house for the client to enjoy their extensive vinyl collection. It features a wildflower green roof and rainwater collection and is accessed via the south-facing garden, which features a stepped landscape with verdant planting including evergreen climbers, designed by garden designer Miria Harris. A pergola provides shading to the rear façade and patio.”

Photo by Jim Stephenson

Photo by Jim Stephenson

Photo by Jim Stephenson

See the full story on Dwell.com: This London Townhome Boasts Two Dedicated Music Listening Areas
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My Big-Box Store Sofa Does Exactly What My DTC Sofas Didn’t

When my dream sectional arrived covered in what looked like blood stains, Raymour & Flanigan saved the day.

Welcome to Sofa Sagas—stories about the circuitous search for a very important and occasionally fraught piece of furniture.

I recently purchased a sectional from a DTC furniture brand. Yes, I’m ashamed. I knew better than to spend thousands of dollars on an object I’d never experienced in person, and to buy that object from a company whose Google results contain multiple Reddit posts titled things like “DO NOT BUY FROM [THIS COMPANY]” and “HELP!! HOW DO I DEAL WITH [THIS COMPANY]?” And yet I did. Please, listen to my story and learn from my mistakes.

To explain myself briefly—I’m not a particularly picky person when it comes to home decor. Most of the furniture in the apartment I share with my husband and our two dogs was acquired either as a hand-me-down or at low cost. Our space is decorated not intentionally, but merely with the things we’ve collected over the course of our lives: a papier-mâché head, multiple paintings of our dogs, a clay guy who is screaming, a small wooden hippo. My husband purchased our previous sectional before we lived together; it came from Wayfair and cost $500, which is an amount I didn’t know a sectional could cost. We had it for years.

That couch had undergone multiple surgeries over the years, performed by my husband. During the surgeries he would remove errant springs from the underside of the cushions and replace them with dish towels, duct taping the resulting hole. Eventually the couch became more dish towel than spring, and yet still, every time you sat down, you felt a spring poking you in your butt. I decided I couldn’t sit on this couch for another second around November of 2024. We sold it for $100 to a nice couple who, when they picked it up, said, “this will be perfect for our dog.” Correct.

I think you would agree that it was reasonable to assume a new DTC couch could not be worse than our previous couch. While researching options, I sought advice from friends, none of whom recommended the brand we ended up going with, and all of whom recommended DTC brands that indeed seemed better but were outside of our budget.

We settled on our new couch in part because the brand had a flashy Black Friday sale. Normally over $5,000, this couch was priced at just over $3,000. (Yes, I’m aware that brands like this hold these “sales” frequently, and that the “actual” price of over $5,000 is little more than an illusion. This is another red flag I ignored so you could learn this valuable lesson—you’re welcome.)

The couch seemed like everything I wanted our new couch to be, which was only three things: comfortable, a bit larger than our previous couch, and normal. It seemed to have good reviews and, in part because my bar was low, I felt confident splitting the purchase between my credit card and my husband’s so we could each get a share of the points.

The couch took a little over two months to ship. The idea of it somewhat brightened the ceaseless litany of dark American moments in the weeks between November and late January. Then finally it arrived.

After the couch was delivered and set up in our living room, my husband and I immediately noticed it was covered in large red stains that looked unnervingly like blood. (They could have also been permanent marker or, I guess, an extraterrestrial substance meant to serve as some sort of warning.) We counted six stains across the sectional’s body and pillows, and immediately I knew the expensive and scary couch must be returned. My husband—grasping at the idea that maybe, since we’ve been waiting so long for the couch, and since the couch was pretty much the only thing we had going for us right now and in fact our entire sense of wellbeing was dependent upon the couch, we could just live with the apparent blood stains if everything else was okay—expressed the desire that I slow down. “Let’s at least see if it’s comfortable first,” he said.

“You have to go Karen mode,” a friend advised. She was right.

The couch certainly appeared comfortable, with large, amply-stuffed pillows. It was big, poofy, and inviting. We sat down with our full weight, expecting to be supported by a dreamy cushion, only to instantly meet the cruel reality of a wooden plank. It felt like sitting on a surf board, or the stage crew-crafted Central Perk couch in a high school production of Friends. It was not only uncomfortable, it was flimsy; it made our old couch seem like a dish towel–stuffed picture of craftsmanship and relaxation. It was the worst couch I had ever experienced.

I sat on the surfboard couch while I Googled the company’s return policy. It showed that between shipping costs and the restocking fee, I would likely end up paying more to return the couch than I did to buy the couch. On top of that, Redditors complained that the company had a tendency to draw out returns past the return window, leaving you without whatever sum would even be left after their rapacious fees. Thank god, then, for the blood stains. “You have to go Karen mode,” a friend advised. She was right.

“Call [the company] immediately,” I told my husband. “To ask them what we should do?” he asked, too kind for this world. “No,” I said. “Tell them we’ve been shipped a defective couch with mysterious stains, we do not feel comfortable having it in our home, and we require an immediate pickup and a full refund without fees!!”

While he called, I emailed; we had to come at them from all sides. The customer service rep he spoke to said they would likely comply with our demands, but she had to check something and would call him back later that day. I said, to my husband, “SHE’S LYING! CALL BACK IN HALF AN HOUR! MENTION FEDERAL LAW!” Frightened, he did what I said, and that phone call led to a request for photos of the apparent blood stains, which we were happy to provide. And, well—I could explain to you in detail the litany of straining and polite emails and increasingly stern phone calls that took place over the next days, and believe me I would like to, but I know you’re busy, so let me just say: we eventually won. They agreed to pick up the couch at no cost, which they did a week after they delivered it, and gave us a full refund.

The day after we were introduced to the horror of the demon couch, my husband and I drove to the nearest Raymour & Flanigan. There, we sat on 30 to 40 reasonably comfortable couches. They were nearly all priced far lower than anything we’d looked at online. Eventually, we found our couch: comfortable, a bit larger than our last couch, normal, and $1,000 less than the other one. Raymour & Flanigan delivered it two days after we ordered it. It’s gray and its vibe is cozy, but it’s aesthetically neutral enough that it would likely register as nothing more than “couch” to a visitor. It looks at home in our living room, and it is a pleasure to sit upon.

Please, if you take anything away from this story, let it be this bit of wisdom: just buy a couch you’ve already sat on. You don’t have to buy a direct-to-consumer couch based on vibes and the misguided idea that there is something to gain financially by doing so. You can actually just go to one of the brick-and-mortar places that sells couches, sit on all of their couches, and pick the one you like the best. I love our new couch. 

Illustration by Clare Mallison

Related Reading:

My Wayfair Sofa Is Perfectly Fine—and That’s Good Enough for Me

My Exasperating Odyssey to Find the Perfect (Not Gray) Couch(es)

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Carved Up Floors Make This Five-Level Belgian Home More Open

Some were turned into mezzanines, making the vertical plan feel connected—right down to a “pond” in the backyard.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Ghent, Belgium

Architect: LDSRa / @ldsra.be

Architect: Olivier Goethals / @oliviergoethals.info

Footprint: 2,368 square feet

Builder: Jonas Bockxstaele

Structural Engineer: H110 Ingenieur en Architecten

Photographer: Michiel Decleene

From the Architect: “Valine is the renovation of a narrow, tall, and deep terraced house. Before the renovation, it was a home with a very small west-facing garden. On the ground floor, the veranda and the ground-level extension were demolished. The small garden transforms into a large garden with a floating caravan above it. The living spaces are organized around the transition between indoors and outdoors, in both depth and height. The existing staircase, spiral staircase, void, and bridge create a route between the kitchen on the ground floor, the living area, and the caravan on the first floor. The caravan accommodates storage, an additional bathroom, and a toilet. The second floor is organized as office space, with access to a rooftop garden and a bay window. The rooms on the third and fourth floors are designed as bedrooms with a bathroom.

“Valine is a personal project. It is radical in its interventions yet empathetic in how life within and around the house is accommodated. The house is boldly designed and richly detailed. The relationship between the rooms and floors is enhanced by removing sections of the floors. The floor plan is derived from the cross-section design. The house appears to have an extra floor, and several additional spaces have been incorporated. As a result, the house feels generous and accommodating. The joinery of the rear façade, the canopies, and the folding door strongly emphasize the connection between indoors and outdoors. The collection of rainwater in the pond adds an extra dimension to the project. Throughout the day, you move with the light of the sun. The folding door remains open, blurring the boundary between inside and outside.”

Photo by Michiel Decleene

Photo by Michiel Decleene

Photo by Michiel Decleene

See the full story on Dwell.com: Carved Up Floors Make This Five-Level Belgian Home More Open
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